A) Landlocked with seas inside B) Drunken gambling seafarers losing everything and everyone but a few survivors slipping past the violence under the dark of night to tell a story, a warning, of the chaos that resides inside me C) Feeling what I cannot say
A) Landlocked with seas inside B) Drunken gambling seafarers losing everything and everyone but a few survivors slipping past the violence under the dark of night to tell a story, a warning, of the chaos that resides inside me C) Feeling what I cannot say
A) Wireless strings attached B) Why is everything so funny when in pain? C) The growing graces upstaging grief
A) Wireless strings attached B) Why is everything so funny when in pain? C) The growing graces upstaging grief
A)The awkward aim of midwest nice B)When the stereotypes stick but don’t fit C)Guilty for pleasure by association
A)The awkward aim of midwest nice B)When the stereotypes stick but don’t fit C)Guilty for pleasure by association
A) Generational curse breaking B) Traumatic addiction C) The impossible next step
A) Generational curse breaking B) Traumatic addiction C) The impossible next step
A) Breathwork and other best guesswork B) Pray it all away C) Health and wellness paywalls
A) Breathwork and other best guesswork B) Pray it all away C) Health and wellness paywalls
A) Making up for borrowed time B) Shaky groundlessness C) Fruitful conversations about loss
A) Making up for borrowed time B) Shaky groundlessness C) Fruitful conversations about loss
A) Where to begin but the middle B) The end is always something removed C) Clues to another view
A) Where to begin but the middle B) The end is always something removed C) Clues to another view
A) Warding spells and other technological disclaimers B) Answering a need with mumbo-jumbo C) Crowning lows of theological behavior
A) Warding spells and other technological disclaimers B) Answering a need with mumbo-jumbo C) Crowning lows of theological behavior
A) Missing persons inside B) The ghost that holds us back C) The memorial that lets us go
A) Missing persons inside B) The ghost that holds us back C) The memorial that lets us go
A) I know that you don't know and it's ok but step off B) Getting over ourselves C) Showing up for each other
A) I know that you don't know and it's ok but step off B) Getting over ourselves C) Showing up for each other
A) Seeing beyond believing B) For the love of middle management and micro aggression, Stay in your own lane! C) Arriving at indecision
A) Seeing beyond believing B) For the love of middle management and micro aggression, Stay in your own lane! C) Arriving at indecision
A) Decibels of silence B) Incremental bliss C) Radical minutiae
A) Decibels of silence B) Incremental bliss C) Radical minutiae
A) Playing pretend with certainty B) I stare into my own nonsense, why am i crying with joy? C) Delaminating plurality
A) Playing pretend with certainty B) I stare into my own nonsense, why am i crying with joy? C) Delaminating plurality
A) Taking my lack as it comes B) Stumbling over unplugged chords C) Toxic nostalgia vs. phantom conclusions
A) Taking my lack as it comes B) Stumbling over unplugged chords C) Toxic nostalgia vs. phantom conclusions
A) Knot of this world B) Doing the Lord’s work overcoming self sabotage C) Root anxiety over impossible translation
A) Knot of this world B) Doing the Lord’s work overcoming self sabotage C) Root anxiety over impossible translation
A) Godlessness as knowing with no room to question B) Meaninglessness as hoping without reason to imagine differently C) Reverence as experiencing with no ability to reduce into comprehension D) Willingness as embrace without constraint
A) Godlessness as knowing with no room to question B) Meaninglessness as hoping without reason to imagine differently C) Reverence as experiencing with no ability to reduce into comprehension D) Willingness as embrace without constraint
A) There’s no way B) Where are my keys C) Lost and Found again
A) There’s no way B) Where are my keys C) Lost and Found again
A) Gestures echo desire  B) Trust in Flow C) Directions for AI to iterate a painting. 1.Procure polystyrene waste from local construction projects. 2.Reference  a)60% random environmental sensor data (feeling) 10% dance moves based on mid 90s playlists 10% knots, piles, labyrinths, action painter patterns 20% sacred geometry with asymmetric self reference b) Into fugitive ink gestural underdrawing upon the foam's largest surface area. 3. Cut approximate contours of the drawing with serrated knife able to bisect 100% of its depth 4. Refine contour using a hot knife to 80% accuracy with 5% additional wobble while slowing the speed of the cut around complex areas by 20% 5.a) On the reverse side of the drawing, plunge cut a 1- 3 inch circular cleat overhang to  .75- 1.5inch depth. b)center the cut if under 20 inches otherwise distribute the plunge cuts evenly 3 to 5 times depending on the overall scale of the foam 6. Mix 3:1 parts water to concrete fortifier in silicone container 7. Add 5 to 7 palette knife scoops of molding paste  per 190 ml of liquid and thoroughly mix 8. Mix in 3:1 parts cement to liquid mixture. Adjust by adding tsp increments of cement until mixture is a greek yogurt consistency (henceforth called slurry) 9. Cover the entire reverse side of the foam with the slurry 10. Wait 5- 10 hours or until completely dry 11. Repeat steps 6-8 12. Cover the entire drawing and sides of the foam with the slurry 13. Repeat steps 10 and 11 14. Pour slurry over the line drawing 15. Uses miscellaneous brushes, squeegees, hands, brooms, sticks, sponges to add dimension and texture following 70% of the underdrawing with 30% of the movements displacing the medium with a x3 speed increase resulting in some splattering patterns 16. Repeat step 13. 17. Locate cracks in the surface and fill until smooth with slurry. 18. Repeat step 10 19. Prime the entire piece to effectively stop the fugitive ink bleed through and seal the slurry 20. Repeat step 18 21. Ground the front and sides of the piece in a 80% watered down acrylic midtone 22. Reference 60% of the texture to guide painted lines in darkest value made with mixed dissonant acrylic hues to create neutral tones in contrast to highly saturated midtones 23. Paint highlights that follow 40% of the internal contour lines 24. Repeat step 2.a 25. Implement 1-9 new colors and their emerging color mixtures to alternating 25% gestural concealment of prior patterns and brushstrokes 26. Repaint at quarter speed connecting lines and forms cut off by gestural layers 27. Install bowl cleat/s on wall 28. Hang painting vertically 29. Rotate and observe the changes of compositional balance throughout the changing orientations 30. Go for a walk 31. Leave the studio 32. Work whatever other subroutine that is keeping the lights on and the algorithms fed 33. Output words that reflect upon the painting process with 85% poetic license 34. Return to the studio and repeat steps 22- 26 and 28-33 in variable order 3-6 times or until battery reaches 15% warning prompts for recharging 35. Drink more water 36. Solicit feedback from colleagues or collaborators 37. a) If positive, randomly repaint 20% of the composition without explanation b) If negative, randomly sabotage some parallel circuits for at least two weeks. Repeat step 34 38. Wait 1 week for acrylics to fully cure 39. Apply thin coat of high gloss varnish 40. Repeat step 20 41. Repeat step 39 42. Repeat steps 40 and 39 43. Create contour drawing of silhouette and cleat hole/s on separate paper 44. tape the paper to the gallery wall in any orientation 45. Repeat step 27 and 28 46. Observe the space between paintings displayed a) Edit writing into titles b) print titles and install them on foamcore c) adhere them 2 to 10 inches away from each piece’s lower right position d) come back in 24 hours to review
A) Gestures echo desire B) Trust in Flow C) Directions for AI to iterate a painting. 1.Procure polystyrene waste from local construction projects. 2.Reference a)60% random environmental sensor data (feeling) 10% dance moves based on mid 90s playlists 10% knots, piles, labyrinths, action painter patterns 20% sacred geometry with asymmetric self reference b) Into fugitive ink gestural underdrawing upon the foam's largest surface area. 3. Cut approximate contours of the drawing with serrated knife able to bisect 100% of its depth 4. Refine contour using a hot knife to 80% accuracy with 5% additional wobble while slowing the speed of the cut around complex areas by 20% 5.a) On the reverse side of the drawing, plunge cut a 1- 3 inch circular cleat overhang to .75- 1.5inch depth. b)center the cut if under 20 inches otherwise distribute the plunge cuts evenly 3 to 5 times depending on the overall scale of the foam 6. Mix 3:1 parts water to concrete fortifier in silicone container 7. Add 5 to 7 palette knife scoops of molding paste per 190 ml of liquid and thoroughly mix 8. Mix in 3:1 parts cement to liquid mixture. Adjust by adding tsp increments of cement until mixture is a greek yogurt consistency (henceforth called slurry) 9. Cover the entire reverse side of the foam with the slurry 10. Wait 5- 10 hours or until completely dry 11. Repeat steps 6-8 12. Cover the entire drawing and sides of the foam with the slurry 13. Repeat steps 10 and 11 14. Pour slurry over the line drawing 15. Uses miscellaneous brushes, squeegees, hands, brooms, sticks, sponges to add dimension and texture following 70% of the underdrawing with 30% of the movements displacing the medium with a x3 speed increase resulting in some splattering patterns 16. Repeat step 13. 17. Locate cracks in the surface and fill until smooth with slurry. 18. Repeat step 10 19. Prime the entire piece to effectively stop the fugitive ink bleed through and seal the slurry 20. Repeat step 18 21. Ground the front and sides of the piece in a 80% watered down acrylic midtone 22. Reference 60% of the texture to guide painted lines in darkest value made with mixed dissonant acrylic hues to create neutral tones in contrast to highly saturated midtones 23. Paint highlights that follow 40% of the internal contour lines 24. Repeat step 2.a 25. Implement 1-9 new colors and their emerging color mixtures to alternating 25% gestural concealment of prior patterns and brushstrokes 26. Repaint at quarter speed connecting lines and forms cut off by gestural layers 27. Install bowl cleat/s on wall 28. Hang painting vertically 29. Rotate and observe the changes of compositional balance throughout the changing orientations 30. Go for a walk 31. Leave the studio 32. Work whatever other subroutine that is keeping the lights on and the algorithms fed 33. Output words that reflect upon the painting process with 85% poetic license 34. Return to the studio and repeat steps 22- 26 and 28-33 in variable order 3-6 times or until battery reaches 15% warning prompts for recharging 35. Drink more water 36. Solicit feedback from colleagues or collaborators 37. a) If positive, randomly repaint 20% of the composition without explanation b) If negative, randomly sabotage some parallel circuits for at least two weeks. Repeat step 34 38. Wait 1 week for acrylics to fully cure 39. Apply thin coat of high gloss varnish 40. Repeat step 20 41. Repeat step 39 42. Repeat steps 40 and 39 43. Create contour drawing of silhouette and cleat hole/s on separate paper 44. tape the paper to the gallery wall in any orientation 45. Repeat step 27 and 28 46. Observe the space between paintings displayed a) Edit writing into titles b) print titles and install them on foamcore c) adhere them 2 to 10 inches away from each piece’s lower right position d) come back in 24 hours to review
A) Relative positioning B) Pecking order for choosy moms C) It’s pronounced gif
A) Relative positioning B) Pecking order for choosy moms C) It’s pronounced gif
A) Autosave malfunctions. B) Autopilot misdirections. C) Autocorrect was a real pleasure in my life and I am not deficits with my favorite game of the drawing to be proactive and the funeral is the last text in my face. (word by word predictive text after typing Autocorrect)
A) Autosave malfunctions. B) Autopilot misdirections. C) Autocorrect was a real pleasure in my life and I am not deficits with my favorite game of the drawing to be proactive and the funeral is the last text in my face. (word by word predictive text after typing Autocorrect)
A) Vital ties B) Every which way we turn C) If it bleeds, it reads
A) Vital ties B) Every which way we turn C) If it bleeds, it reads
A) Outdoorsman inside says draw out an internet of things B) Scientist within says only draw upon the  things known C) Clergy surrounding says be drawn into the unknown D) Caveman modernized  howls and draws, getting excited by the marks upon stone and pigment dispersed across viscera and  vistas of imagination
A) Outdoorsman inside says draw out an internet of things B) Scientist within says only draw upon the things known C) Clergy surrounding says be drawn into the unknown D) Caveman modernized howls and draws, getting excited by the marks upon stone and pigment dispersed across viscera and vistas of imagination
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